Xi's All That

The Chinese Communist Party just wrapped its 19th Party Congress.  Twice each decade, China's rubber stamp parliament meets to sing its own praises.  Unsurprisingly, cadres read out of new hymnals provided by Xi Jinping.  It should surprise no one that Xi further consolidated his power at this event.  Here are a few interesting and/or important takeaways from the event.       

XI IS ON TOP
A new politburo standing committee (PSG) was named.  However, it didn't include a clear successor for Xi Jinping.  I've seen many click-bait articles speculating that this is the first important signal that Xi Jinping plans to hold the reigns of power past his expected retirement date.  Without a doubt, this was the biggest news from the event.  The regime famously fears government instability caused by top officials suddenly passing away (a la the Soviet Union in the early to mid-eighties).  Xi staying in power past 2022 would show a major shift in the party's priorities.             

House of Cards...China
Style 

WANG IS OUT
Many expected that China's anti-corruption tsar, Wang Qishan, might break with tradition and stay on the PSG despite reaching the customary retirement age.  This didn't happen.  Seen as a fiercely strong ally of Xi, Wang had the added benefit of not having children.  Too bad Wang's favorite TV show, House of Cards, probably won't release a new season anytime soon.

LONG SPEECHES AND CONSTITUTIONAL CHANGES
Xi gave a  3 hour and 24 minute speech.  The communist party wrote Xi Jinping thought into the Chinese Communist Party's Constitution.  Past leaders have had their political philosophies enshrined in the party's constitution.  However, unlike Deng, Hu, and Jiang, Xi's political philosophy had his name attached during his lifetime.      

It's the fine print that'll get ya...

JIANG STEALS THE SHOW
Xi Jinping might have given the keynote speech, but China's former leader Jiang Zemin stole the show.  Images of Jiang yawning during Xi's public speaking marathon lit Chinese social media on fire.  Like a student on the last day of school, Jiang incessantly checked his watch.  The 91 year-old used his now iconic magnifying glass to great effect during Xi's speech.  Expect this make and model of magnifying glass to rocket up the sales charts this Singles Day (11/11).  I have already purchased mine on Taobao.     

Trainspotting 2: Beijing Railway Station

Beijing Railway Station is an underrated architectural gem.  Situated just inside the city's second ring road, Beijing Railway Station stands out from the city's other railway stations because of its Soviet and Chinese influences.  It's hard to miss this majestic building, but few tourists get the chance to see it.  The station building resembles a hypothetical child of the Forbidden City and Grand Central Station.  Built to commemorate 10 years of communist rule in China, the station has welcomed countless visitors to the city during its nearly 60 years.          

Crowds congregate in front of the station 
Photo from China Daily 

                            

In a nation known for gigantic structures, this station still manages to impress.  It has the grand size of Union Station in Chicago, but with way more people.  The sea of humans in the square directly in front of the station never dissipates.  It doesn't even have a discernible ebb and flow.  Despite the sea of people coming in and out of the station everyday, the station doesn't feel nearly as cramp as some of Asia's other famous train stations.  Unlike other large stations in Asia, Beijing Railway Station doesn't have short ceilings or a utilitarian vibe.  Instead, the communists built a station that ironically evokes grandeur and distinctiveness.       

The station lit up at night 
Photo from Beijing-Travels

Like Amsterdam Central Station, Beijing Railway Station features twin clock towers.  The clock towers are certainly my favorite part of the building.  Another distinctively Chinese thing about the station is its relatively isolated position.  Large public buildings in China are often set-apart from nearby buildings to emphasize their size and importance.  Exiting the station and going to the KFC across the street takes a five minute hike.  You must walk across the enormous public square directly in front of the station and then travel up and down an elevated walkway over a busy city street.  This is one hell of a hike for one of the world's most densely populated cities.  

An original clock face
in China's Railway Museum 

The station's platforms 

Some large stations in Asia literally have shopping malls or skyscrapers built on top of them.  To the untrained eye, these stations simply look like other nondescript buildings in their respective cities.  Efficiency and convenience were the driving motivators behind their design.  In contrast, the designers of Beijing Railway Station didn't take these factors into account when building this monument to communist rule.  Beijing Railway station wants you to know it's a train station, it wants you to know its important, and it wants you to know its here to stay.      

Quotations from Chairman Lee

A photo of Lee Kuan Yew

Lee Kuan Yew served as the first Prime Minister of Singapore.  He held the post for decades and guided the city-state through its rocky beginnings to becoming an "Asian Tiger."  Throughout his life, Lee Kuan Yew succeeded in taking Singapore from a weak former colony to an economic powerhouse.  He often courted controversy for his authoritarian disposition and his tendency to be "politically incorrect."  Several of his more famous and interesting statements have been collected in the book Lee Kuan Yew: The Grand Master's Insights on China, the United States, and the World.  

The book collects Lee Kuan Yew's statements  on topics ranging from the rise of China to Islamic extremism.  Lee's most interesting statements have to do with culture and the role it plays in the success of society.  He makes numerous statements applauding the United States's entrepreneurial culture and China's emphasis on saving.  For me, his realistic emphasis on culture and the role it plays in economic success and political stability run counter to the conventions of Western politicians.  The ethnically Chinese leader of a former British colony didn't have to worry about the international community branding him racist or imperialistic (though some still did).    

Lee didn't shy away from the fact that certain cultural attributes contribute to a nation's success.  Lee reshaped his nation after it gained independence by changing it to compete on a global scale.  His administration emphasized education and sacrifice.  It took only a few decades under Lee's guidance to raise the tiny, island nation of Singapore "from the third-world to the first-world."  It's certainly easy to find wisdom in Lee's speeches.  I wholeheartedly agree with Lee's critiques of welfare-democracies and socialism.   

Lee is famous for mentoring many Chinese leaders and still openly criticizing the Chinese Communist Party.  It doesn't take a genius to see the affect of Lee on Chinese government policies.  From his emphasis on societal order and the paramount importance of economic development, Lee's thinking certainly impacted generations of Chinese leaders.  I hope my nation of the United States never losses the "frontier spirit" that Lee admired in us.  We must take care of ourselves and each other.  We simply cannot depend on any government, state or federal, to effectively fulfill our needs as a society.  As Kennedy said, "Ask not what your country can do for you, but what you can do for your country." Lee did shy away of asking this of his countrymen like most 21st century politicians.               

Studio Ghibli: Animation Powerhouse

The film's box art

I've heard Studio Ghibli called the Disney of Asia.  While I agree with the high praise, I don't really think that this is a like-for-like comparison.  Diseny makes films for children and the "children in all of us."  Studio Ghibli makes films for general audiences that just happen to be animated.  During the studio's genesis in the 1980's, Studio Ghibli blazed a trail later followed by Pixar, focusing on inventive, original stories.  Gone are the "royals" who have their every wish granted.  These animated films focus on normal people thrust into extraordinary situations.  Studio Ghibli made movies that appealed to children, but had enough ideas and themes for adults.  This formula kept families coming back for more, and made Studio Ghibli critical, though not commercial, darlings in America.

And you thought your
commute was crazy

Last week I watched the classic Spirited Away.  Warning: I wouldn't recommend this film for children under ten years old.  It contains many scary images including the protagonist's parents transforming into pigs and a faceless demon who eats a few of the film's supporting characters.  Not exactly Disney material; unless you count the Black Cauldron.  Yes, Disney killed Bambi's mother and traumatized a generation of children, but death is a natural part of life.  A faceless demon that gobbles up anthropomorphic spa workers will likely cause many nightmares and sleepless nights for anyone under the age of seven.  Also, the film's serious tone contrasts with most American produced animated films that rely on humor to advance the story.  I don't remember laughing once during Spirited Away.  It's the only animated film I've seen that surpasses the vast majority of live-action adventure flicks.  This film tells a story with a tone more like a live-action film than a goofball cartoon.  

The cover lets you know
this won't be a happy film

Earlier this week I watched the Studio Ghibli classic Grave of the Fireflies.  Set in the final days of World War II, the story chronicles a brother and sister's struggle to survive after their mother dies in a firebombing.  The DVD contained an interview with Roger Ebert about the film.  In it, Ebert noted the that using animation, rather than real actor's, increased the emotional impact of the film.  Instead of the audience focusing on a young actress playing a starving child in the film, the animation allowed audiences to focus on the experiences of the characters and ideas of the story.  An interesting idea that might explain why movies like Toy Story 3 pack so much emotional punch.  I would not recommend this film for kids unless you are looking to scar your children for life.  In the opening 15 minutes, you see the children's mother burned, dying, and covered in bandages like a mummy.  The DVD case might say ages 3 and up, but there is no way I am showing this film to my kids.

Children in terrifying situations 

Grave of the Fireflies will tear your heart out.  It's amazing how Studio Ghibli puts so much emotion into its animation cells.  Not only would I call this one of the greatest animated films ever, it's also one of the greatest war films.  The film focuses on an aspect of the war sadly, largely forgotten.  The film shows us what war did to families and the pain it inflicted on the civilian population.  Despite a number of films focusing on German civilians garnering commercial and critical acclaim in America, films focusing on the Japanese remain conspicuously absent.  This only makes Grave of the Fireflies more culturally and historically significant.  I plan on watching more of Studio Ghibli's movies over the next few weeks.  Anyone who enjoys animated films should certainly checkout their catalog.  Most of the films aren't well known in the United States, so tell your friends.




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The Xi Jinping Era: Cheng Li's New Reference Book for Chinese Politics

Pay no attention to the man behind the curtain!

Anyone interested in China has probably gotten their hands on this book.  A good deal of fanfare accompanied its release, and several of my favorite podcasts featured recommendations of the book.  So, does it live up to the hype?  Yes.  However, unless you're a serious China watcher, I wouldn't pick this one up.

This book is dense.  Like really dense.  It took me a long time to get through it.  In hindsight, I should have read all of the book's conclusion sections first, and then just read the chapters that interested me.  Much of the book's content consists of information about the composition of committees and governing bodies in the PRC.  Other than the noteworthy individuals, most of the names went in one ear and out the other.  However, the extensive profiling of politicians will make it possible to refer back to this book.  I expect to use this book when the next party congress happens.  This is the best reference book for Chinese politics.  The names of politicians, committees, and departments are indexed, making it easy to find information.  

The book's author

Cheng Li insists his approach to studying Chinese is quantitative because he uses numbers and charts.  Like many "social scientists," he cloaks his work in the cloth of science, even though nothing about it is scientific.  Adding charts and a large about of statistics, while useful, does not make something scientific.  

In the decades to come, prior generations will likely view this book as a great snapshot of foreign understanding of the inner workings of Chinese politics.  Xi Jinping's consolidation of power has revolutionized Chinese politics, and I must give great credit to Cheng Li for trying to make sense of post-collective leadership in China.  I must give him even greater credit for not shying away from the fact that Xi's revolution poses great dangers to the established orders both inside and outside China.   

Chungking Express: A Unique Cinematic Masterpiece

One of the film's posters

The seminal film Chungking Express paints a wonderful, cinematic portrait of isolation in densely populated Hong Kong.  The urban jungle metaphor has an added layer because Chungking is the Cantonese word for Chongqing (a city in west central China) that also means jungle.  To be up front, I have been searching for a copy of this film for years.  I finally secured a copy from the New Orleans Public Library.  The film is split into two halves, each chronicling the recent break-up of a Hong Kong police officer’s relationship.  Don’t get confused, the two officers in the film aren’t the same person.  Luckily they don’t look alike, and their stories have almost no overlap.  Certainly an unusual structure, but for this film it works.   

The facade of the actual
Chungking Mansions

The film takes its name from the legendary Hong Kong slum Chungking Mansions, smack-dab in the middle of Kowloon’s Golden Mile.  The images of the building’s tightly packed corridors and improvised factories inside of cramped, converted apartments juxtaposes amazingly with the loneliness felt by the main characters.  It’s amazing how well the film conveys this feeling, and I can’t really express all the ways that it does it.  The director uses a lot of longshots, quickly turning the camera to capture the characters’ movements as they dart around small rooms filled with boxes, beds, and tables.  You just have to see it for yourself.  It gave me a claustrophobic feeling.    

The film’s amazing music distinguishes it from other “artsy” films of the 90’s.  The soundtrack features both instrumental and pop tunes to great effect.  One warning; get ready to hear the song California Dreaming more than you ever thought possible.  But the payoff from the song and story just make its repetitive use even better.  For the first time in years, I am considering buying a film’s soundtrack.  I was blown away by the music. 

Two of the film's protagonists

While my wife was not a big fan of the film, she enjoyed seeing the film’s stars at the beginning of their careers.  Many of the actors and actresses went on to have very successful careers in the Hong Kong, Taiwan, and Chinese film industries.  One of the actresses even does a song on the soundtrack, lending credence to the stereotype of Hong Kong cinema producing multitalented stars.  

  

I find it extremely difficult to articulate why I loved this film so much.  With film being such a visual media, it’s impossible to describe the tone and visual style of the film.  And that’s why the film is so amazing.  I can’t really describe in words why it’s so special.  The makers of this film produced something that only the magic of cinema can achieve. 

      

Stock Google image of 
Chungking Mansions' ground 
floor

Unlike other film’s set in the world’s most dynamic city-state, Chungking Express is a view of the city looking down on the lives of its people, instead of from street level looking up. 

Note: I previously wrote a blog about the actual Chungking Mansions from which this film takes its name.  Here’s a link

http://chofficespace.blogspot.com/2014/03/the-mansions.html

The Three Body Problem: Beleive the Hype

The Book's Cover Features the Pyramid
from the Novel's VR Game.

It seems like people can’t stop talking about The Three Body Problem.  Winner of the 2016 Hugo Award, this book details the well-trod topic of humanity’s first contact with aliens.  The book courted controversy from many outspoken science fiction authors and critics.  Many felt that the book simply won awards because of organizations shoehorning in diversity instead of its merit.  While I can’t speak to the other nominees for these awards, I can say that The Three Body Problem deserves great praise for its originality and scientific concepts.  Yes, the “diversity is super good and necessary” thing has probably gone too far, but this book deserves the recognition. 

The book’s author is Chinese and all of the main characters are too.  Thankfully this saves us the trouble of reading/watching aliens destroy New York City for 4,000,000^th time.  The story opens during the restless days of the Cultural Revolution.  According to the translator, who was featured on the Sinica podcast, the book’s publisher altered the progression of the story so that the flashbacks appeared toward the middle of the book. They though publishing a book on the 50^th anniversary of the Cultural Revolution and featuring the period as a backdrop might result in undue scrutiny.  Frankly, it’s amazing these parts made it into the book at all.  I’d bet that if the book was published today, just a few short years later, some of these flashbacks would have been cut. 

I enjoyed reading a book that approaches such a common plot from a new perspective.   In some ways it’s a retread of Childhood’s End and other similar stories, but the book is never held back by this.  The book’s true originality comes from the computer game featured in the story and the alien world.  The parts of the book set in these two settings stand head-and-shoulders above anything I have read recently.  The sections set in the “real world” are less interesting.  The characters are two dimensional and even China itself seems flat.  I understand not including things that might date the novel, but there is almost nothing that fleshes out the setting.  Other than a passing reference to the CCTV Building and Tiananmen Square, this novel could take place anywhere.  The main character, Wang Miao, passively observes the story.  We learn very little about him.

       

If the Chinese characters in the story are two dimensional, then the foreign characters are simply lines.  The stereotypical dialogue makes them laughable.  A British military officer who appears at a meeting utters only one line, “To be or not to be.”  This line caused me to laugh while I read the book.  It’s interesting that the author of the novel writes dialogue for extraterrestrials more realistically than foreigners. 

Despite some literal shortcomings, no reader should miss this book.  The ideas and interpretations in the novel never fail to amaze.  I think the ideas in this book will keep readers talking about it for decades to come, just like the works of Phillip K. Dick and Arthur C. Clarke.  It’s less about character development and prose and more about thinking of humanity in a new light.  And in the end, it’s the ideas that make a story worthwhile.  

P.S. - the second book in the series isn't good.  Don't waste your time on it.  Just read the Wikipedia page and move on to book three.

Antoine's: Dining in the Presence of History

Menu

Some places become such important institutions that they take on a life of their own.  Antoine's is certainly one of those places.  The oldest family owned restaurant in the United States, almost anyone who is anyone has dined at Antoine's including Pope John Paul II, several presidents, and fictional magazine personality Alfred E. Neuman. 

One of the "krewe rooms"

Located in the hustle and bustle of the city's French Quarter, Antoine's features dining rooms themed after several of the city's most prominent Mardi Gras parade krewes.  The rooms feature memorabilia from their respective krewe and ornate chandeliers.       

Depiction of Rex Parade floats

One of the restaurant's best kept secrets is its lunch special.  You get three courses for around $20.  We weren't able to find this menu online.  Possibly, they don't advertise it.  The best part of the lunch special is the cocktail deal.  You can get a featured cocktail for 25 cents each (limit three).  Make sure to ask which cocktail is the featured cocktail, because they will not stop you if you order the wrong cocktail.  We ran up a bill doing this.  The novelty of getting three cocktails that cheap makes it worth the cost of admission.    

Oyster sampler. Oysters
Rockefeller in the top center

Softshell Crab

Ramos Gin Fizz

Antoine's is the birthplace of the legendary Oysters Rockefeller.  Named after Rockefeller because its so rich, the dish's green color represents the color of money. Oysters Rockefeller has been a mainstay of Antoine's menu since its creation.  Our waiter allowed us to get a sampler of Antoine's oyster dishes as an appetizers.  It was a great way to introduce ourselves to the menu.  Not only did I order oysters as an appetizer, I also got oysters as the first course of my 3 course meal deal.  I had the charbroiled oysters, soft shell crab, and ice cream sunday.  

Delicious

Our dinning room

Enjoying the finer things

Corridors with history

Wine cellar

Early Times...good choice

After eating we checked out the restaurant's different rooms.  The place is sort of a quasi-museum and features amazing photos of the restaurant's famous patrons.  Antoine's also has a legendary wine seller with a window facing out onto Royal Street.  As amazing as the food was, getting to look around the restaurant cemented Antoine's position in the pantheon of the city's best restaurants.  

Make sure to reserve your table at Antoine's during your next trip to the Crescent City. 

Dapper like the Harry S. Truman, Mad Magazine's own
Alfred E. Neuman

  

Ghost Fleet: The Book Everyone is Talking About!

The Cover

Ghost Fleet, by P.W. Singer and August Cole, is a novel about a future war between the United States and China.  In the vacuum left by the death of Tom Clancy, authors have rushed in to fill the void with cutting edge military thrillers.  Ghost Fleet succeeds by using something that Clancy’s works had in spades...realism.  It excels when it focuses on the world in which the book takes place rather than the characters in the book.  The book is set at an indeterminate date in the near future.  The Communist Party has been swept away and replaced with an extremely meritocratic regime consisting of business and military elite.  This political transition occurred after the Chinese people became fed up with the corruption and ineffectiveness of the communist party.    

Published in 2015, the book references contemporary events in China, such as a holographic Xi Jinping expounding his Chinese Dream.  Besides referencing a two-child policy implemented by the new regime, nothing seriously dates the book as of this point.  Several interesting ideas make their way into the novel.  For example, an American insurgency on the Chinese occupied Hawaiian Islands and the use of a space laser to shoot down enemy satellites.  The most chilling aspect of the book is the Chinese military’s use of hacking.  The Chinese easily disable an American military overly dependent on technology.  The apathetic United States failed to prepare for a war that the Chinese were clearly fighting before the first shots were even fired.  It just goes to show that you can complain out intellectual property theft all you want, but at the end of the day, what we’re really doing is arming and transferring technology to enemies of the United States. 

Iraq-Style Insurgency in Paradise

I love the book’s fearlessness in confronting how future technology will change what it means to be human.  We’ve reached a point where technology can and will be implanted into the human body.  Increasingly people will need to constantly stay “connected” to be competitive for jobs, education, etc.  I’ve noticed that many recent science fiction movies and books side-step this issue.  In most films and books, technology is still something that you can just turn off.  In truth we never even turn off our cellphones anymore, because we feel that we can’t be out of contact.  What will life be like when they just implant the functions of the phone into your brain?  I find it incredibly unsettling that people will begin getting technology implanted into their bodies, and I think many other people do as well.  I tell myself that I’ll never do it, no matter how common it becomes.  The true of the matter is that when others begin doing it and reaping the benefits, such as faster access to information and interconnectivity, the rest of us will likely have to adapt or die.  In Ghost Fleet, many of the characters have technological implants.  What I found so realistic about the implants in the novel was that there are multiple types of implants serving different functions.

The book is ripe for a film adaptation, but I don’t expect one anytime soon.  With Chinese influence in America’s entertainment industry growing, it’s unlikely any major studio would touch a property that depicts a post-party China launching a preemptive attack on the United States.  Releasing that film would make the studio the target of cyber attacks and quickly get the studio locked out of the lucrative Chinese market. 

Oh well, the book is always better than the movie anyway.