Tuesday, June 28, 2016

Remembering the Cultural Revolution

Frank Dikotter's (umlaut omitted) new book The Cultural Revolution: A People's History dropped a few months ago.  Usually the Chinese government considers the Cultural Revolution a taboo subject and glosses over it or omits it entirely from history.  This makes books like Dikotter's newest release all the more important, especially considering his place as one of the world's foremost sinologists.

Many of China's top party leaders faced persecution during the Cultural Revolution, including future paramount leader Deng Xiaoping and the father of the CPC's currently leader, Xi Jinping.  Despite this, China occasionally roles out the nostalgia for the period in the form of song and dance numbers during large public events.  I will admit, I often find this nostalgia for a period market by human suffering distasteful.

During the period between 1966 and Mao's death in 1976, Chinese citizens labeled class enemies faced persecution as the CPC attempted to erase the vestiges of China's past.  Priceless artifacts and buildings were destroyed as the communists attempted to eliminate anything relating to the country's past and "foreign influences" (except communism).  Douzheng (loosely translated as "struggle") between Maoist fervor and the "Four Olds" tore the country apart.

In China today, many claim there seems to exist a sort of collective amnesia about the Cultural Revolution.  I for one would classify it more as collective silence.  "Amnesia" implies that everyone has forgotten it.  Speaking with anyone who lived through those turbulent years will make it clear that no one has forgotten them.  People choose not to talk about the horrors and excesses of the period because the pain and suffering of the time remain a part of everyday life.  You still see its effects from the highest level of the government to the peeling paint from Maoist slogans fading on the sides of buildings.  

Though I haven't got a chance to read Dikotter's most recent work, I would definitely recommend his other books The Tragedy of Liberation and Mao's Great Famine.  Only by understanding the country's past, and examining how it is portrayed in the present, can foreigners ever hope to understand this complex country.  

Jack Ma - Face of a Changing Nation

The face that launched a 1000
delivery packages
While browsing at the New Orleans Public Library I stumbled across a copy of Alibaba: The House that Jack Ma Built.  The book is a great, easy read and sheds light on one of China's most important cultural exports, the eccentric business mogul.
 
In recent years, Chinese businessman Jack Ma has become ubiquitous.  You can see him everywhere.  From television to the internet and everything in between, Jack Ma is there.  In many ways he has become the face of Chinese business around the world.  Mostly for the better.  Say what you will about Ma, he is a fascinating individual.  His position at the forefront of China's economic expansion has done a great deal to bolster opinions of Chinese business abroad.  Ma projects what few other successful mainland businessmen do; a sense of transparency.  The man loves to joke and laugh, and his fluency in English goes a long way in projecting an image that translates well outside of China.  Just compare him to Chen Guangbiao (that guy who said he'd buy the New York Times).  Chen's downright buffoonish behavior has made him a laughingstock outside of his home country, despite his amazing professional success.  In many ways Ma serves as the antithesis of Chen, portraying a pragmatic and humble image that makes him something akin to China's Warren Buffet.

I recommend this book, but you
don't have to take my word for it.
Jack continues to battle it out with Wang Jianlin for the title of Asia's Richest Person.  In some ways, the two men couldn't be more different.  Ma has made a name for himself creating business practices that take advantage of circumstances in China, such as learning to work around the country's fractured supply chains.  Ma once called Alibaba a crocodile in the Yangzte River and compared his foreign competitors to sharks in the ocean.  Wang's relationship with foreign business is much more confrontational.  His recent, notorious spat with Disney shows this in spades.  His company recently acquired Legendary Entertainment.  The studio behind such blockbusters as The Dark Knight and World of Warcraft, demonstrating his "if you can't beat 'em, buy 'em" style of business.

His personal image and his reluctance to intentionally cultivate a cult of personality has distinguish Ma from his Chinese contemporaries and made him more accessible to a foreign audiences.  Ma's story is exceptional and inspiring.  I recommend this book for anyone trying to pierce the veil of Chinese corporate culture.